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Image naturalness as a criterion in cinematography
Belica, Ondřej ; MAREK, Diviš (advisor) ; MACÁK, Jiří (referee)
The purpose of this thesis is to search into methods of image stylization in feature films and silver screen reality transformation. We try to define fundamentals of "natural" image as a common aproach of cinematographers work. Also we summarize styzalition means used by cinematographers all over the world in history and present time in realationship to normal perception of visual reality. Part of the thesis is dedicated to eye-tracking study concentrating on human visual attention to selected artwork pieces
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Methods shooting sports
Ptáčník, Jaroslav ; HYNEK KRÄMER, Kristian (advisor) ; Trojan, Zdeněk (referee)
Head cameraman - function on live broadcasting - multicamera shootig, Description of the preparation of multi-camera shooting a television sports coverage.
The distribution of camera positions in the athletics grounds, football pitches and sport halls - hockey and martial arts. The layout and scanning angles of the cameras. Shooting preparations of the motor racing and winter sports. Construction of camera towers and incorporating them into the shooting scene. Comparison of the technologies used in the Czech Republic and in the world. Wireless transmission of images used for long distance - a general description of the technology. Technology equipment and OB van HDTV description. Stereoscopic shooting and preparation for broadcasting in UHDTV2.
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T'ai chi ch'uan and the art of handheld camera
Šípek, Jan ; JANEČEK, Vít (advisor) ; ŘEZNÍČEK, Martin (referee)
Chinese martial art t'ai chi ch'uan emphasizes the skills of stability of the body, smoothness of movement and especially of walk. This thesis asks a question, whether the techniques of t'ai chi are usable in handheld camera work. In the introductory essay part the author subjectively interprets the elements of both Chinese thinking and the art of t'ai chi, to the degree he had opportunity to explore. In a enquiry among Czech documentary cameramen he tries to find links with the oriental praxis, and, finally, in the last part, he introduces a set of practices of t'ai chi, usable for camera work.
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Cameras for digital cinematography, specifications and quality measures
Polách, Martin ; JÍCHA, Marek (advisor) ; KOŠŤÁL, Emil (referee)
This thesis is about essential digital cameras and technologies, which are used by directors of photography for shooting feature films, commercials and television content. I focused mainly on cameras, that are available to the public in your 2012, which are for example Arri Alexa, RED EPIC, Sony F65, Phantom FLEX, Phantom 65 and few more semi-professional cameras. In my thesis I also look back on the beginnings and history of digital cameras from 1990?s, when first cameras emerged that were at least able to compete with film negative, and on the development of second generation of digital cameras as Panavision Genesis, Arri D20-D21 and RED ONE. Part of my work is also devoted to technical properties and specifications, which are required from current high-end cameras.
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